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Ten African Nations Unite As Women Redefine Cannes Film Future
When the global film industry converges for the 2026 Cannes Film Festival, a powerful new narrative will unfold, one shaped by African women determined not just to participate, but to lead.
In what is being described as a historic moment for representation and influence, Women in Film Los Angeles (WIF LA) and Women in Film and Television Africa (WIFT Africa) are set to bring the largest-ever delegation of African women creatives to the prestigious Marché du Film, scheduled for May 12 to 20.
This unprecedented move signals more than a milestone; it marks a shift in the global entertainment landscape.
For decades, African stories have struggled for equitable visibility on international platforms.
Now, with a coordinated and strategic presence, women from ten African nations—Nigeria, Ghana, Kenya, Senegal, Cameroon, South Africa, Zambia, Rwanda, Uganda, and Côte d’Ivoire—are stepping onto one of the world’s most influential stages with clarity, confidence, and purpose.
At the heart of this initiative is the creation of an official WIFT Africa booth at the Marché du Film, a first in the organization’s history.
The booth is expected to serve as a vibrant hub for connection, conversation, and collaboration.
Here, filmmakers, producers, and executives from across the globe will have direct access to the women driving Africa’s creative economy, an industry increasingly recognized as one of the fastest-growing in the world.
But beyond the symbolism of presence lies a deeper ambition: building sustainable pathways for African women in film.
Through their partnership, WIF LA and WIFT Africa have already established seven national chapters across the continent, including in Nigeria, Ghana, Kenya, Senegal, Cameroon, South Africa, and Zambia.
Plans are underway to expand further into Rwanda, Uganda, and Côte d’Ivoire, creating a network that not only nurtures talent but also fosters cross-border collaboration and industry growth.
Central to the Cannes programme is the Producers Network, one of the festival’s most prestigious industry platforms.
As presenting sponsors, WIF LA and WIFT Africa will spotlight five accomplished African producers: Shirley Frimpong Manso, Nicolette Ndigwe-Kalu, Bea Wangondu, Bongiwe Selane, and Alexandra Amon.
Over six days, these women will engage with financiers, distributors, and collaborators, opening doors to global partnerships that could redefine the scale and reach of African storytelling.
For Inya Lawal, President of WIFT Africa, the significance of this moment cannot be overstated. She frames the delegation not simply as a gathering of creatives, but as a declaration of intent.
African women, she suggests, are no longer waiting for a seat at the table, they are building their own, bringing the continent along with them.
That sentiment is echoed by WIF LA’s Director of International Programs, who points to the organization’s decades-long commitment to empowering women in film.
She emphasizes that as the global industry evolves, it is essential to recognize Africa and the Global South as engines of innovation and growth. Investing in women, she notes, has consistently proven transformative, not only for individuals but for entire industries.
The delegation itself reflects a rich tapestry of talent and leadership. Chapter presidents, executives, and producers from across Africa will be joined by key ecosystem partners, including DocuBox (Susan Mbogo), the African Creative TV Programme, the Nigeria International Film Summit (Dorina Amina Abubakar), and the Digital Creator Africa Academy (Ifeoma ‘Oma Areh).
Together, they represent a growing movement that is reshaping how African stories are created, financed, and shared with the world.
As Cannes 2026 approaches, anticipation continues to build around what this unified African presence will achieve.
Beyond networking opportunities and industry deals, the delegation symbolizes a broader cultural shift, one that places African women at the forefront of global storytelling.
In doing so, it challenges long-standing narratives and opens the door to a more inclusive, dynamic, and representative film industry.
In the end, this is more than a journey to Cannes. It is a bold step toward redefining power, visibility, and possibility for African women in entertainment, one story, one connection, and one opportunity at a time.







