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The Future of Bespoke Fashion: A Taryor GabrielsPerspective
By Taryor Gabriels
When I began my career in bespoke tailoring, the process was grounded in tradition. Clients would step into the workshop, I would take measurements with a tape, fabrics would be carefully chosen, and multiple fittings would follow until the perfect garment was achieved. That process has its beauty, and it remains central to the craft. Yet, I also witnessed its limits: human error in measurement, delays caused by repeated fittings, and challenges in serving international clients across borders.
For me, bespoke fashion has always meant precision, personality, and craftsmanship, but I came to realise that even the most skilled tailor could benefit from tools that eliminate inefficiencies without undermining artistry. That is why I embraced 3D body scanning, computer-aided design (CAD), and virtual fittings. These technologies are not replacing craftsmanship; they are amplifying it, allowing me to serve clients not only in Nigeria but across Africa and the world with new levels of accuracy, speed, and consistency.
From Manual Measurement to Digital Precision
Traditional measurement with tape can be reliable, but it still leaves room for error. With 3D body scanning, my clients simply stand still for a few seconds, and thousands of precise data points are captured. The scanner records size, posture, stance, and subtle asymmetries that even the most experienced eye might miss.
This level of detail changes everything. Patterns can be cut with mathematical precision, garments fit more naturally from the first trial, and for repeat orders there is no need to take fresh measurements. For my international and African clients—from Lagos to Accra to Johannesburg—this has been transformative. A Ghanaian businessman ordering his fifth suit or a Nigerian celebrity preparing for a global event can both be served without disruption to their schedules. Technology has removed distance as a barrier.
Once the scan is complete, I transfer the data into CAD software. Pattern drafting, which once required meticulous manual effort, is now faster and more versatile. Adjustments that might have taken hours on paper can be tested instantly, stored, and reused in the future.
This is especially valuable for clients with diverse wardrobes. A single base pattern can be adapted into a tuxedo for an awards night in Lagos, a senator suit for a state function in Abuja, or a modernised agbada for a wedding in Accra. The efficiency allows me to serve more clients while maintaining the level of detail that defines luxury tailoring. Technology, in this sense, is not a shortcut but an enhancer of choice and precision.
Virtual Fittings and Cross-Border Collaboration
One of the most exciting breakthroughs has been virtual fittings. Using a client’s 3D model, I can show them how a garment will look before any fabric is cut. They can see the drape, explore different colour palettes, and request adjustments in real time. This not only reduces fabric waste but makes the process more collaborative.
For clients across Africa, this has been liberating. A bridegroom in Ghana preparing for his wedding, or a corporate leader in Kenya seeking formal wear, no longer has to fly into Lagos for multiple fittings. We can conduct the process digitally, with adjustments finalised before the first stitch is sewn. It is efficient, sustainable, and perfectly suited for Africa’s increasingly mobile, globalised clientele.
Heritage at the Centre of Innovation
Even as I integrate these tools, I remain clear about one principle: technology cannot replace craftsmanship. The artistry of selecting the right fabric, the instinct to adjust a cut for both comfort and symbolism, and the finishing touches that give a garment its soul are still human decisions.
What technology does is sharpen the process. It allows me to tell African fashion stories with precision, showcasing agbadas, senator suits, and tuxedos that are not only culturally rooted but globally competitive. Heritage remains the foundation, and technology is the lens that makes that heritage shine brighter on the world stage.
Business Advantages Across Africa
The impact of 3D technology has been equally significant on the business side. Turnaround times are shorter because fewer fittings are required. Quality control has improved, with alterations after delivery now rare. Most importantly, client satisfaction has risen, and satisfied clients are loyal clients.
This has allowed me to expand my reach. With operations in Lagos and Houston, and a strong base of clients in Ghana, I now serve individuals seamlessly across continents. A service once bound by geography is now truly borderless. For African fashion, this is a powerful advantage, it shows that luxury from our continent can match the service standards of Paris or Milan.
Overcoming Challenges in the African Context
Integrating 3D systems has not been without obstacles. The equipment is expensive, training artisans to use new software takes time, and infrastructure challenges like unstable power and internet in Nigeria can slow down adoption. There was also initial scepticism from clients who felt that digital tools might take away the intimacy of traditional tailoring.
To address this, I adopted a hybrid approach. For clients who still value tradition, we begin with in-person consultations and fittings before moving to digital processes for follow-ups. Over time, they come to appreciate that technology is not erasing the craft but refining it. And for younger clients across Africa, already comfortable with digital interactions, the transition has been seamless.
Adopting 3D technology is not just about my brand. It is about what is possible for African fashion as a whole. We have always had the creativity. What we are proving now is that we also have the technical sophistication to compete globally. Nigerian and African clients already recognise this, and as more designers embrace digital tools, Africa will be seen as both culturally rich and technologically advanced.
It also creates opportunities for future generations of designers. If upcoming African fashion houses can blend heritage with 3D tools, they will redefine what luxury from the continent means. They will not be imitators of Western houses; they will be innovators in their own right.
Conclusion
AI-driven forecasting could soon help us predict client preferences before they are expressed. Augmented reality showrooms could give clients in Accra, Nairobi, or the diaspora a fully immersive experience without leaving their homes. Intelligent pattern-making could further reduce waste and support sustainability, a growing priority in global fashion.
The future of tailoring is not about replacing the tailor’s hand with machines. It is about equipping that hand with the best tools possible to create garments that are both personal and world-class. By embedding 3D body scanning, CAD, and virtual fittings into my practice, I am not only keeping pace with global trends; I am helping to define them.
African fashion has always been bold, symbolic, and deeply personal. Now, with technology as a partner, it is also becoming more precise, efficient, and globally competitive. For me, that is the future of bespoke tailoring in Africa: rooted in heritage, enhanced by innovation, and ready for the world.







