Vocal Coach Addresses vocal Gap with new Solution

Tosin Clegg

Gospel recording artiste and vocal coach,Naomi Onorakposeha Oruaro, aka Naomi Classik, has developed a proprietary gospel-industry voice development solution to evaluate gospel vocal performance.

The innovation,the Gospel Voice Development Index™️ (GVDI™️) is a structured assessment designed to evaluate gospel vocal performance, ministry expression, and developmental readiness in a more professional and measurable way.

According to Naomi Clasik,it helps move gospel voice evaluation beyond casual opinion, emotional reaction, or raw talent alone. Rather, it provides a clearer framework for understanding how a singer is performing across core areas such as vocal technique, tone, interpretation, gospel style, spiritual communication, stage effectiveness, and coachability.
‘In simple terms, GVDI™️ is built to assess not just whether someone can sing, but whether their voice is being developed in a way that is strong, authentic, disciplined, and ministry-ready.’ She pointed out.

The vocal coach who has provided vocal and professional choir training for choir leaders and music teams across multiple churches and ministries in the United States, the United Kingdom and Africa, says the GVDI™️ gives singers, coaches, ministries, choirs, and organizations a more objective basis for growth and decision-making. ‘It helps identify strengths that should be preserved, weaknesses that need attention, and the next steps required for improvement. For some, it may confirm readiness for greater ministry or performance opportunities. For others, it may reveal technical, stylistic, or developmental gaps that have been holding them back. The assessment is suitable for gospel artists, choir members, worship leaders, ministry singers, vocal students, and talent candidates,’ she noted

GVDI, she said can be administered by qualified evaluators such as gospel music directors, choir directors, vocal coaches, producers, vocal faculty, competition judges, and recognized worship leaders.

‘After taking the assessment, participants should expect more than just a score. They should expect a clearer understanding of where they currently stand, what areas need focused development, and what strengths already make them valuable in gospel music and ministry settings. A good GVDI™️ outcome should provide direction, not confusion. The assessment is not meant to embarrass people or flatter them. It is meant to give honest insight that can lead to stronger performance, deeper ministry expression, and more intentional vocal growth over time.’ She emphasized

Naomi Classik work spans music performance, artist development, live worship ministry, and vocal training. Recognized for her expressive vocal ability and ministry-centered sound, she has built a multi-dimensional career that combines artistic excellence with professional influence in gospel music and vocal development.

Over the course of her career, Naomi Classik has established a visible body of professional work through commercial music releases, live worship recordings, featured collaborations, and public ministry engagements. Her catalog on major global streaming platforms includes projects and songs such as Greatest Love, God’s Plan, Holy Spirit, Banner Over Me (Live), Water Into Wine, This Year (Une Aghogho), and MY LIFE TIME, reflecting sustained creative output and continuing public distribution in the gospel music field.

In addition to her recording career, Naomi Classik has distinguished herself as a vocal coach and artist-development professional, a dimension that materially strengthens her standing in the field. Her official and channel-based public profiles describe her as a vocal coach, producer, and music minister, reflecting influence not only through performance, but through the training and development of other singers. This dual role matters. It shows that her professional value extends beyond appearing on stage or releasing songs. It places her in the more credible category of an artist whose expertise is relied upon by others for artistic formation, vocal performance improvement, and ministry development.

She also launched the Singer Bootcamp, a training initiative designed to strengthen vocal performance, choir excellence, and professional ministry standards among singers and worship teams. Through this platform and related coaching engagements, she has provided vocal and professional choir training for choir leaders and music teams across multiple churches and ministries in the United States, the United Kingdom, Africa, and beyond, including City of David Choir, Atlanta; RCCG Mercy Court Choir, Maryland; Dominion City, Atlanta; The Transformation Church, Richmond, Texas; Streams of Joy, Umuahia, Nigeria; Harvester International, London; Jesus Centre, Namibia; ICGC Zone Temple, Ghana; Evergreen Church, Ghana; and DECC, London, among others.
This breadth of training activity reinforces her standing not only as a gospel artist, but as a trusted vocal development specialist whose expertise has been sought by churches, choirs, and worship communities across multiple countries.

Naomi Classik’s artistic work also reflects professional collaboration within the gospel music ecosystem. Public music platform records show her as a primary artist and featured collaborator on works involving other gospel artists, including appearances with Moses Akoh and other artists across distributed releases.

She has shared platforms with recognized international and Nigerian gospel figures including Tasha Cobbs, Israel Houghton, Travis Greene, Phil Thompson, JJ Hairston, Kim Burrell, Kurt Carr, Sammie Okposo, Tim Godfrey, and Asu Ekiye,Kae Strings, Moses Akoh, Dare Justified, Lilian Nneji among others