Seyi Vibez Dominates Audiomack with Over 2.2 Billion Streams, Becomes Platform’s Most-Streamed African Artist
Ayodeji Ake
Nigerian singer Seyi Vibez has cemented his position as Audiomack’s most-streamed African artist, surpassing 2.2 billion global streams on the platform. According to publicly available streaming data, Vibez currently ranks as the continent’s top performer and the platform’s second most-streamed artist globally, trailing only American rapper YoungBoy NBA. He edges ahead of fellow Nigerian superstars Asake, who became the first African artist to reach 2 billion streams on Audiomack, and Burna Boy, who currently sits at 1,967,293,305 streams as of December 13, 2025.
The foundation of Vibez’s dominance rests on a catalogue built for sustained engagement.
Projects like Billion Dollar Baby, NAHAMciaga, and Thy Kingdom Come have cultivated cycles
of listener loyalty, embedding themselves into daily routines across Nigeria and the diaspora. By the time Fuji Moto arrived on November 14, 2025, Audiomack’s ecosystem had already attuned itself to the artist’s distinct cadence.
The 14-track album represents both a cultural statement and a strategic pivot, merging Yoruba
traditionalism with contemporary production and international sonic appeal. Tracks such as
“How Are You,” “Mario Kart,” and “Pressure” showcase Vibez’s emotional range and expanding creative palette. The song “Pressure,” produced by Mally Mall, DIMA, and YX, blends mellow R&B with Afrobeats NotjustOk, revealing new dimensions to the artist’s versatility. The title
track “FUJI MOTO” has already surpassed 250 million streams, fueling one of 2025’s most
replayed releases.
Perhaps the album’s most significant validation comes through its production roster. American
producers Mally Mall and Dr. Luke contributed to tracks on Fuji Moto
AudiomackTurntablecharts, marking a notable collaboration between Nigerian street-pop and
established American hitmakers. The album also features collaborations with Nigerian trailblazer
Olamide and US rap artists French Montana, Trippie Redd, and NLE Choppa Audiomack,
underscoring Vibez’s expanding transatlantic appeal.
The streaming numbers tell a compelling story of sustained relevance. With over 2.2 billion
streams, Vibez has achieved the highest total for any Nigerian and African artist in Audiomack’s
history—a milestone reached while competing directly with continental heavyweights. His
success is driven by core tracks like “NAHAMciaga,” “Loseyi Professor,” and “FUJI MOTO,” which generate consistent daily playback across Africa and the diaspora. Under his influence, Fuji-infused street-pop has evolved into a fully realized, exportable genre with its own ecosystem and cultural currency.
Underlying Vibez’s music is a distinctive spiritual and cultural signature. Orisa consciousness,
Yoruba lineage, and Lagos street narratives flow through his lyrics, offering layered storytelling
that resonates as authentic and unfiltered. This combination of spiritual depth, melodic craft, and
street-rooted authenticity has cemented his growing global following and critical respect.
The 2.2 billion streams milestone marks more than personal achievement. The Fuji Moto era
signals a redefinition of Nigerian music’s global architecture. Seyi Vibez operates at the intersection of heritage and digital innovation, demonstrating that street-born artistry can achieve worldwide dominance without compromise. In 2025, he isn’t simply participating in the conversation about African music’s global expansion—he’s actively reshaping it, track by track, stream by stream.
