In “You Are the Lord,” Olubunmi Adeyeye Keeps Praise Simple and Familiar

By Emmanuel Daraloye

Some songs do not ask for attention. They just begin, the same way praise often does, quietly and with intention. Released on October 1, 2022, “You Are the Lord” by Olubunmi Adeyeye feels like one of those songs that already knows its assignment. It is not trying to tell a story or prove anything. It simply wants to lead praise, and it stays committed to that from the first word to the last.

The song opens with a spoken call to worship. “Lift up your hands, O ye people, and let us worship.” It sounds like something you would hear just before music starts in church. That moment where everyone settles, where focus shifts. When the drums follow, they do not rush. They hold a steady pace, giving the song a grounded start and making it clear that this is a praise song meant for participation.

The chorus comes in almost immediately and becomes the heart of the track. “Our God, Alpha, Omega, You’re the Lord.” The line is simple, and it stays that way throughout the song. It is repeated often, not to fill space, but to allow the message to sit properly. This is the kind of chorus people can pick up easily and sing along to without effort. It works well in a group setting, where voices rise together without needing rehearsal.

One of the most remarkable parts of the track is the bridge, which sings “Our God is great, Jehovah Nissi, You’re the great I Am.” The rhythm shifts slightly here, altering the mood before returning to the main chorus. This change adds movement to the song and illustrates that the arrangement was well studied, even within a simple praise structure.

The call and response sections also stand out. The main vocalist sings “Oh, come and see my King,” and the backup vocalists respond forcefully. This conversation gives the music a communal quality. It sounds like a song designed for collective worship, with everyone playing a role, not just the main singer.

There are small areas where the song could have been tighter. The lead vocal is quite soft for this kind of praise song, especially when the drums and backing vocals come in strong. At some points, the backups feel louder than the lead, which disrupts the balance. Also, the voice texture is soft for the genre of the song. These are production choices that could have been smoother, but they do not significantly detract from the song’s goal.

Lyrically, “You Are the Lord” remains concentrated. Lines such as “Forever and ever, You remain the same” are repeated numerous times to reinforce rather than extend the meaning. For a praise song, this works. It keeps attention on worship rather than wording.

At three minutes and thirty-seven seconds, the song ends the same way it begins, giving glory to God. “You Are the Lord” may not chase complexity, but it understands what it was made for. It is a sincere praise song that values togetherness, repetition, and clear devotion, and it delivers that with honesty.