Ojomusic: The Man Mixing Hustle, Talent and Culture into Sound

By Chinonso Ihekire
 
 
Who Dey Hot?! 

Quote as seen on twitter –

“Make this guy pick one hustle,” someone said on Twitter. “You wan do producer, DJ, songwriter — all at once?” That comment, though laced with sarcasm, captures something many people are noticing: Ojomusic is involved in everything because he actually has the range.

In this age where music is moving fast, and everyone wants to blow overnight, Ojo Akor (Ojomusic) is building something steady. A Nigerian producer, songwriter, and DJ based in the UK, he’s not just following trends, he’s trying to shape the sound of tomorrow. From Lagos to London, clubs to studio sessions, this guy is showing he’s not here to play.

No Be Just Vibes — The Work Is There

Let’s be honest, versatility is not always a good thing. Some people spread themselves too thin and end up doing everything halfway. But in Ojomusic’s case, the opposite seems to be happening. He’s producing solid tracks for artists like Fola, TI Blaize, and Rybeena, and there’s a clear improvement in his sound over time.

Take Fola’s track snippet “Slow Fire” soft bounce, layered synths, and a clean mix that leaves room for the vocals to shine. Or TI Blaize’s “Run Am”, where the drums hit with intention, and the transitions are tight. There’s attention to detail in how he builds his beats. You can tell this is someone who spends time on his craft, not just uploading free loops.

He’s not just a guy pressing buttons, he’s thinking through the emotion of each song. And that’s what makes the difference.

From Booth to Booth: DJ With Vision

Outside the studio, Ojomusic is making waves as a live performer too. His set at the AWA Awards 2024 was a key moment, a tight, well-paced set that blended Yoruba percussion with foreign electronic elements. He didn’t just play hits; he created a journey. It was the kind of performance that makes you take out your phone and start asking, “Who be this DJ?”

Since then, he’s been spinning at Afro-fusion events in cities like Birmingham and Bristol, steadily building a name as a go-to selector for diasporic African sounds. What’s interesting is that he doesn’t just mix music — he tells stories through his sets. That’s rare, especially among new-school DJs.

A Cultural Middleman — In a Good Way

What makes Ojomusic stand out is how he moves between worlds. In Nigeria, he understands the street sound, the rhythm, the emotion. In the UK, he’s learning how to package that sound for a new audience. That kind of balance is not easy but it’s powerful when done well.

He’s not shouting online or doing gimmicks. His Instagram is full of studio clips, quiet updates, and shout-outs from collaborators. No noise, just work. And that makes his progress feel real, not hype-driven, but hustle-built.

Final Thoughts

There’s still room for growth, he’s finding his voice, and not every track hits the same level. But the potential is obvious. The hunger is real. And the consistency is starting to show.

Ojomusic is not just hot,  he’s cooking something special. A quiet force in the Afrobeats movement, with the kind of work ethic and vision that could put him in serious conversations in the near future.

Verdict:
A rising talent who deserves more ears, more stages, and more recognition. Watch this space.

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